Yes, I know I'm behind. Don't judge, life before teevee, much less blogging about teevee.
Well and truly into the Second Movement here. Character development and extension as well as build-up to the end. It's clear that the storyline of Daymo isn't going to end well by now, particularly with Toni going all the way to Texas to find the ex-NOPD officer that arrested Daymo the day before the storm.
(click "read more" below - rest of post is behind split for spoilers)
In September of 2005, there were a lot of phone-cam photos going around of NOPD units cruising the streets of Planet Hooston. Like this guy in the show, a lot of cops just up and left, with their city-owned vehicle in NOPD livery. Most of them were written off as storm damaged and no doubt simply abandoned in various places. No stretch at all for Toni to find the ticket book she needed in the glovebox of one of those vehicles in the parking lot of a police station in Lake Charles. Those guys just quit. Quit and left. Forget about the property theft, the moral issue of quitting is what's important here. Toni is trying to look past that with this particular guy because he has information she needs. For someone like Toni who is busting her (quite-attractive) ass to get the city moving again, hearing from quitters comes later.
On Toni, the ADA, and sperm: Her concerns are correct that this is a small town and what she does will get back to people. If she participates in a parade featuring SeeRay jerking off, his people won't appreciate it. But there's a nit here to pick. Toni's dealings at this point are with the DA's office. That's Eddie Jordan, who decidedly NOT a Nagin man. He was set up as USA under Clinton by Jefferson and won DA election by putting Edwin Edwards in jail. I admire her caution, though, and her desire at the end to flip them all off. FYYFF, Dr. Morris would be proud--sperm wins!
Davis: Loved the campaign forum. The character is the court jester of the show. Further insight into Davis' obviously-wealthy family is interesting, as is his Aunt Mimi, clearly the black sheep of what could be a Comus family.
Antoine: Up to now, I've characterized Antoine Batiste as a "journeyman musician," but that's not quite fair to his talents. It's becoming clearer that Antoine is just as good as Shorty, but he just doesn't get the breaks. Or is it that he's self-destructive? Kermit gets him the gig at the carnival ball. The bit with Desiree washing his tux was hella funny, but then Antoine tosses out common sense. You'd think he'd want to just shrink into the background, play the gig, and get paid, but he just has to do an improv solo on "Take The A Train." Awesome teevee, but you just wanna smack the man upside the head. Just as Toni is worried about the small-town aspects of NOLA, so should Antoine.
The Carnival ball that features Antoine as part of the orchestra is patterned after an organization like the Original Illinois Club or Young Men Illinois Club. These are the Creole equivalents to Comus/Momus/Proteus-the city's white debutante organizations. Lots of money involved here, but old-school and entrenched. The bald-headed bassist probably has been playing those gigs for years. Maybe his improv got him noticed (and possibly might get him laid), but it's not good for Antoine's musical career in the long run.
Sonny/Annie: cook her! this is so going down that road.
Annie: I was amused to see all the outrage in forums on HBO.com about Annie being real-live fiddler Amanda Shaw. Honestly, I never made the connection. Amanda Shaw was 14 or so in 2005, and has a much richer career than being a street busker. Fanbois and fangirls are silly.
Creighton: Getting much more bipolar this episode. His anger over Davis' campaign is a bit out of place with the FYYFF attitude. The 2006 elections were pretty much a fucking joke to all too many people. Nagin with his "chocolate city" comments (alluded to by Morial when talking to Davis), and all the voting accomodations contributed to the surreal aspects of the race. At the same time, Creighton is good with the sperm.
Delmond: Copping the "modern jazz" attitude about NOLA. Yes, you make more money away from here. Yes, black musicians get more respect in some other cities. I hope Delmond doesn't have some huge epiphany here, it would be too happy-ending.
Albert: Workin on that new suit. Politician knows he needs to kiss the Big Chief's ass and does so by lining up a FEMA trailer, but that's only a small drop in the bucket as far as Lambreaux's concerned. The politician's attitude is typical, though. It's like buying pastors. Problem is, a lot of Indian chiefs have more principals than a lot of the revs.
Janette: Closing a business is never pleasant. Another "Top Chef" homage as she packs her knives and leaves.
LaDonna: not much on her this ep, because her story is carried by Toni. Bringing her momma to the ER was a good moment to show how dysfunctional so much of the city was at the time. No docs, no pharmacies, it was all about the ER.
KDV: The French float with the sign, "Buy us back, Chirac" and Davis' shout-out to Ashley Morris was nice. Aunt Mimi is funny, too. The sperm costumes looked great. It's hard to tell if Toni is lashing out in basic anger, throwing caution to the wind, or if she actually evaluated the situation and decided that FYYFF in the form of being one of SeeRay's sperm was OK. Given the dismal records of both SeeRay and Eddie Jordan, it certainly wouldn't hurt anybody's careers to disrespect them.